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  <book id="298">
    <dc:title>A Passionate Pilgrim</dc:title>
    <dc:author id="113">Henry James</dc:author>
    <dc:identifier scheme="URI">http://feedbooks.com/book/298</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1406939862</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1871</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:rights>This work is available for countries where copyright is Life+70 and in the USA.</dc:rights>
    <cover>http://feedbooks.com/book/298.png</cover>
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  </book>
  <book id="1506">
    <dc:title>Carmilla</dc:title>
    <dc:author id="231">Joseph Sheridan Le Fanu</dc:author>
    <dc:identifier scheme="URI">http://feedbooks.com/book/1506</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1587155958</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1871</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:subject>Horror</dc:subject>
    <dc:subject>Sexuality</dc:subject>
    <dc:subject>Gothic</dc:subject>
    <dc:description>&lt;p&gt;&quot;Carmilla&quot; is a Gothic novella by Joseph Sheridan Le Fanu. First published in 1872, it tells the story of a young woman's susceptibility to the attentions of a female vampire named Carmilla. &quot;Carmilla&quot; predates Bram Stoker's Dracula by 25 years and has been adapted many times for cinema.&lt;/p&gt;</dc:description>
    <cover>http://feedbooks.com/book/1506.png</cover>
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  </book>
  <book id="2056">
    <dc:title>Glimpses of Unfamiliar Japan, Vol 1</dc:title>
    <dc:author id="286">Lafcadio Hearn</dc:author>
    <dc:identifier scheme="URI">http://feedbooks.com/book/2056</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1596056835</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1871</dc:date>
    <dc:subject>Non-Fiction</dc:subject>
    <dc:subject>History</dc:subject>
    <dc:subject>Essay</dc:subject>
    <dc:subject>Travel</dc:subject>
    <dc:description>&lt;p&gt;A Japanese magic-lantern show is essentially dramatic. It is a play of which the dialogue is uttered by invisible personages, the actors and the scenery being only luminous shadows. Wherefore it is peculiarly well suited to goblinries and weirdnessess of all kinds; and plays in which ghosts figure are the favourite subject. -from &quot;Of Ghosts and Goblins&quot;
&lt;br /&gt;In 1889, Westerner Lafcadio Hearn arrived in Japan on a journalistic assignment, and he fell so in love with the nation and its people that he never left. In 1894, just as Japan was truly opening to the West and global interest in Japanese culture was burgeoning, Hearn published this delightful series of essays glorifying what he called the &quot;rare charm of Japanese life.&quot;&lt;/p&gt;

&lt;p&gt;Beautifully written and a joy to read, Hearn's love letters to the land of the rising sun enchant with their sweetly lyrical descriptions of winter street fairs, puppet theaters, religious statuaries, even the Japanese smile and its particular allure.&lt;/p&gt;

&lt;p&gt;A wonderful journal of immersion on a foreign land, this will bewitch Japanophiles and travelers to the East.&lt;/p&gt;</dc:description>
    <cover>http://feedbooks.com/book/2056.png</cover>
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  </book>
  <book id="1553">
    <dc:title>Madam Crowl's Ghost and the Dead Sexton</dc:title>
    <dc:author id="231">Joseph Sheridan Le Fanu</dc:author>
    <dc:identifier scheme="URI">http://feedbooks.com/book/1553</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1847026826</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1871</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:subject>Horror</dc:subject>
    <dc:subject>Ghost Stories</dc:subject>
    <cover>http://feedbooks.com/book/1553.png</cover>
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  </book>
  <book id="575">
    <dc:title>Middlemarch</dc:title>
    <dc:author id="132">George Eliot</dc:author>
    <dc:identifier scheme="URI">http://feedbooks.com/book/575</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0451529170</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1871</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:description>&lt;p&gt;Vast and crowded, rich in irony and suspense, Middlemarch is richer still in character, with two of the era's most enduring characters, Dorothea Brooke, trapped in a loveless marriage, and Lydgate, an ambitious young doctor.&lt;/p&gt;</dc:description>
    <cover>http://feedbooks.com/book/575.png</cover>
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  </book>
  <book id="2204">
    <dc:title>Pink and White Tyranny</dc:title>
    <dc:author id="309">Harriet Elizabeth Beecher Stowe</dc:author>
    <dc:identifier scheme="URI">http://feedbooks.com/book/2204</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1871</dc:date>
    <dc:subject>Novels</dc:subject>
    <cover>http://feedbooks.com/book/2204.png</cover>
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  </book>
  <book id="2726">
    <dc:title>Tales of Old Japan</dc:title>
    <dc:author id="519">Lord Redesdale</dc:author>
    <dc:identifier scheme="URI">http://feedbooks.com/book/2726</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0804833214</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1871</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:subject>History</dc:subject>
    <dc:subject>Collections</dc:subject>
    <dc:description>&lt;p&gt;Tales of Old Japan is an anthology of short stories, compiled by Algernon Bertram Freeman-Mitford, Lord Redesdale, writing under the better known name of A.B. Mitford. These stories focus on the varying aspects of Japanese life in centuries past. The book, which was written in 1871, is still regarded as an excellent introduction to Japanese literature and culture, by virtue of its ease of access and supplemental notes by the writer. Also included are the author's eyewitness accounts of a selection of Japanese rituals, ranging from the harakiri and marriage to a selection of sermons. This book had a lasting influence on the Western perception of Japanese history, culture and society, particularly because of just one widely known tale about samurai revenge.&lt;/p&gt;</dc:description>
    <dc:rights>This work is available for countries where copyright is Life+70 and in the USA.</dc:rights>
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  </book>
  <book id="2583">
    <dc:title>The Case of Summerfield</dc:title>
    <dc:author id="456">William Henry Rhodes</dc:author>
    <dc:identifier scheme="URI">http://feedbooks.com/book/2583</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1871</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:subject>Science Fiction</dc:subject>
    <cover>http://feedbooks.com/book/2583.png</cover>
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  </book>
  <book id="2582">
    <dc:title>The Coming Race</dc:title>
    <dc:author id="455">Edward Bulwer-Lytton</dc:author>
    <dc:identifier scheme="URI">http://feedbooks.com/book/2582</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:1438215754</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1871</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Science Fiction</dc:subject>
    <dc:description>&lt;p&gt;The Power of The Coming Race is a powerful novel that fired the imagination of readers starting in the 1870's. Among the earliest examples of what would become the genre of science fiction, among many authors it influenced H. G. Wells, Samuel Butler, and Edgar Rice Burroughs. The book tells the story of a young American adventurer who discovers a portal to an underground world at the bottom of a mine shaft. In this world lives a highly advanced race, with a dark secret.&lt;/p&gt;</dc:description>
    <cover>http://feedbooks.com/book/2582.png</cover>
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  </book>
  <book id="2172">
    <dc:title>The Golden Lion of Granp&#232;re</dc:title>
    <dc:author id="281">Anthony Trollope</dc:author>
    <dc:identifier scheme="URI">http://feedbooks.com/book/2172</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1871</dc:date>
    <dc:subject>Novels</dc:subject>
    <cover>http://feedbooks.com/book/2172.png</cover>
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  </book>
  <book id="1572">
    <dc:title>The Haunted Baronet</dc:title>
    <dc:author id="231">Joseph Sheridan Le Fanu</dc:author>
    <dc:identifier scheme="URI">http://feedbooks.com/book/1572</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1871</dc:date>
    <dc:subject>Short Fiction</dc:subject>
    <dc:subject>Horror</dc:subject>
    <dc:subject>Ghost Stories</dc:subject>
    <cover>http://feedbooks.com/book/1572.png</cover>
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  </book>
  <book id="23">
    <dc:title>Through the Looking Glass (And What Alice Found There)</dc:title>
    <dc:author id="13">Lewis Carroll</dc:author>
    <dc:identifier scheme="URI">http://feedbooks.com/book/23</dc:identifier>
    <dc:identifier scheme="URI">urn:isbn:0688120490</dc:identifier>
    <dc:language>en</dc:language>
    <dc:date>1871</dc:date>
    <dc:subject>Novels</dc:subject>
    <dc:subject>Young Readers</dc:subject>
    <dc:subject>Fantasy</dc:subject>
    <dc:description>&lt;p&gt;Through the Looking-Glass, and What Alice Found There (1871) is a work of children's literature by Lewis Carroll (Charles Lutwidge Dodgson), generally categorized as literary nonsense. It is the sequel to Alice's Adventures in Wonderland (1865). Although it makes no reference to the events in the earlier book, the themes and settings of Through the Looking-Glass make it a kind of mirror image of Wonderland: the first book begins outdoors, in the warm month of May, on Alice's birthday (May 4), uses frequent changes in size as a plot device, and draws on the imagery of playing cards; the second opens indoors on a snowy, wintry night exactly six months later, on November 4 (the day before Guy Fawkes Night), uses frequent changes in time and spatial directions as a plot device, and draws on the imagery of chess. In it, there are many mirror themes, including opposites, time running backwards, and so on.&lt;/p&gt;</dc:description>
    <cover>http://feedbooks.com/book/23.png</cover>
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  </book>
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